老實說，會去蜷川實花展，並非因為特別喜愛她的攝影作品，而是在禮拜五的半夜百無聊賴時，搜尋了台北的攝影展，第一個映入眼簾的就是她的展覽。不可否認，這幾年蜷川的迅速崛起，以及在各個領域的crossover，真的是讓人特意看不到她的作品都難，但除了美感之外，對於她作品的象徵意義總是無法理解和掌握，所以嚴格來說，我們幾乎是抱著一無所知的狀態去的。
月份: 五月 2016
One of those days…
It’s one of those days when the afternoon sunshine slanting on my balcony matches exactly the one in Matsudo…
I stayed in Midori’s place (pseudonym) in Matsudo for two months back in early 2007. The air was fresh every day. Everything was new and full of life for me, and I made use of the opportunity to visit quite a few places before work. Due to the lack of proficiency in Japanese, I was not able to really talk with someone except her. Sometimes when I did not go out and explore the new world, I stayed at home doing some laundries and cleansing. On most of the sunny days, the afternoon sunshine would turn really soft around 3pm, and it would be shrouded by the curtain. Only some sunbeams came under the curtain. I think that moment best described the Japanese term “平和".
【Cahiers du Cinema】High-Rise/摩天樓
看完High-Rise，只有一種感覺：預告片已經把電影裡頭對於上下階層的對立與壓迫的暗喻和象徵說得差不多了。
總的來說，電影的攝影及藝術指導仍頗為用心，但導演和編劇似乎太執著於概念或者暗喻之上，以至於故事說得不好，而且太多虛華的派對、無意義的性愛和暴力，讓本片本來意欲傳達的概念變得模糊不清，讓人想起Baz Luhrmann的 The Great Gatsby。
邊境男子的漂流記事 